Orange County Theatre Reviews

News, South Coast Repertory, Video Comments Off on South Coast Repertory 2019-20 Season |

Costa Mesa, Review, South Coast Repertory, Theater, Uncategorized Comments Off on POOR YELLA REDNECKS @ South Coast Repertory – Review |

POOR YELLA REDNECKS @ South Coast Repertory – Review

(Photo by ​Jordan Kubat/SCR)

Written by Daniella Litvak 

Back in 2015 I reviewed Qui Nguyen’s Vietgone when it debuted at South Coast Repertory. Vietgone told the story of how a young couple named Tong and Quang met and fell love while they were refugees at Fort Chafee in Arkansas, after the fall of Saigon. Poor Yella Rednecks picks up Tong and Quang’s story from where Vietgone left off.

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Costa Mesa, Review, South Coast Repertory, Theater, Uncategorized Comments Off on Life Under A Microscope : Photograph 51 @ South Coast Repertory – Review |

Life Under A Microscope : Photograph 51 @ South Coast Repertory – Review

(Photo by Jordan Kubat/SCR)

Written by Patrick Chavis 

Photograph 51, a production currently at the South Coast Repertory, approaches the autobiographical drama in a new and innovative way.  While the audience puts Rosalind Franklin’s life under a microscope, Franklin uses a lens as well in her — groundbreaking — work of discovering the structure of DNA in this sophisticated meta-narrative. Continue Reading

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Costa Mesa, Review, South Coast Repertory, Theater, Uncategorized Comments Off on The Barber is In: Sweeney Todd is Back in Town @ South Coast Repertory in Costa Mesa – Review |

The Barber is In: Sweeney Todd is Back in Town @ South Coast Repertory in Costa Mesa – Review

(photo by Jordan Kubat)

Written by Scotty Keister 

Chinese proverb: He who seeks revenge should remember to dig two graves.

The legend of Sweeney Todd is a long and storied one. Todd began life in the mid-19th century in a penny dreadful tale. In this original version Todd was a secondary character. He soon came to life in a stage version penned by George Dibdin Pitt. His legend continued throughout the 20th century in dozens of stage, film and television versions. Ultimately, when British playwright Christopher Bond created Sweeney Todd, the Demon Barber of Fleet Street in 1973, new life was breathed into Sweeney’s aging, bloodthirsty barber. The tale was fleshed out, making the story into more of a revenge tragedy, and not simply a bloody horror tale. This is the version that first brought Sweeney to Stephen Sondheim’s attention and led to him creating  what might be considered the ultimate edition in 1979. Continue Reading

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Costa Mesa, Review, South Coast Repertory, Theater, Uncategorized Comments Off on Culture Clash (Still) In America @ South Coast Repertory in Costa Mesa – Review |

Culture Clash (Still) In America @ South Coast Repertory in Costa Mesa – Review

(Photos by Jordan Kubat/SCR)

Written by Patrick Chavis 

Culture Clash (Still) In America running now at South Coast Repertory is composed of the Latino comedy group Culture Clash, that has been performing on theatre stages since the 1980s. As one of the comedians mentioned when they started, Ronald Reagan was president.  Their brand of comedy has always been politically charged. Even in 2019, with a lot of the controversy over comedians going overboard with their jokes and a very tense political atmosphere, these comedians pulled no punches and unloaded jokes on everyone: African-American preachers, Filipino Republicans, Trump voters and much more.

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Costa Mesa, Review, South Coast Repertory, Theater, Uncategorized Comments Off on Shrew! @ South Coast Repertory in Costa Mesa – Review |

Shrew! @ South Coast Repertory in Costa Mesa – Review

(photo by Debora Robinson)

Written by Daniella Litvak 

Time to brush up on your Shakespeare: The Taming of the Shrew is one of Shakespeare’s most popular —actually his second most popular according to a survey the Royal Shakespeare Company conducted in 2003. The story goes like this. In sixteenth century Italy, Padua to be exact, there lives a rich gentleman named Baptista. He has two daughters. Several suitors clamor for the hand of Bianca, the younger daughter. Unfortunately, Baptista refuses to permit any of the suitors marry Bianca until his elder daughter, Katherine (whose name varies from production to production), is wed first. Katherine is deemed a shrew —aka an abusive woman who does not know her place. Bianca’s suitors convince Petruchio —a gentleman of Verona —to woo Katherine. Attracted to her dowry and the idea of breaking her, Petruchio goes after Katherine’s hand while the rest of them continue to scheme for Bianca’s.  Continue Reading

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