“Pan-Damn-It!” is a “zoom” play written by Kyung Hyun Kim, a faculty member in the Department of East Asian Studies and Visual Studies at UC Irvine, and co-directed by Jane Page, a faculty member in UCI’s Drama Department, and Gavin Cameron-Webb, theater director. The script highlights the much-publicized mask debate in the US by juxtaposing the moral conflict between individual liberty and public health and by exposing the invisible social divisions that are complicated by the dynamic multi-ethnic makeup of Southern California. Taken from the press release. Continue Reading
Our Life : The Black Youths Stories Project – An Interview with Ross Jackson & Megan Gainey @ University of California, Irvine
Written by Patrick Chavis
I recently had the pleasure of interviewing the creators of UCI’s new original play “[Our Life] The Black Youth Stories Project”. Writers Ross Jackson and Megan Gainey spoke freely about their journey making this extensive project.
So how did you get together to create this project?
Megan: Well we got together because we are together. (Megan and Ross laugh together). I was just sort of the person he was venting to about his ideas, and I was like oh cool other ideas.
Written by Daniella Litvak
Promised Land is a good-natured children’s theater production retelling of Exodus. The child actors are having fun. The adult actors are having a blast hamming it up. It was truly sweet, seeing
how right after the curtain call, the actors leaped straight from the stage into the arms of their adoring family and friends.
Criticizing the show feels like I’m kicking a puppy. I could say it’s fine enough for a children’s theater production and leave it at that. However, taking such a dismissive attitude would be an insult to all children’s work that transcends age barrier and to the child actors in the show who deserve better material.
Sound wise the show gets off to a rocky start. The opening number’s vocals are a bit muddled. During the first act there are quite a few times where the music overpowers the singing. The musical numbers are cute and fun, but they’re not really memorable. Also the sound effect for baby Moses is really annoying.
As for the story itself… The Book of Exodus is always a great source of storytelling material. However, the show tries to do the Shrek thing and cram in a bunch of anachronistic jokes. The problem is that most of these jokes lack any sort of bite to really generate the laughs. Especially during the first act, the plot meanders all over the place. Some of the detours are a bit odd –like the scene where teenage Moses is dating two girls at once. These weird detours really make the more dramatic parts of the story feel brushed over.
I think the second act is better than the first. The story is tighter and adds meta jokes, which I have to admit I’m a sucker for. Aaron dressed in prison stripes while playing a pink, Hello Kitty electric guitar during “Leaving Sand City” (a parody medley of classic rock songs) cracked me up.
The actor playing the lamb and then the cow deserves a shout out for fully committing to the roles and providing some nice physical comedy.
Overall, it’s cute and has some nice moments, but I can’t really recommend it.
Feb 20th – March 15
Written by Patrick Chavis
Christmas time is over but that doesn’t stop the influx of Christmas plays, especially that Classic Charles Dickson play, A Christmas Carol (we reviewed three this year but couldn’t make them all). I’ve seen the movies, watched the plays, seen the Christmas straight to TV versions. There is definitely no shortage of creative versions here. Musical Theatre Villages version, entitled ‘Scrooge’ is a welcome addition to the every-growing lexicon of Christmas Carol adaptions with catchy music, exceptional performances by a few and a fun-filled laid back spirit that makes this a perfect show for the entire family. Continue Reading