Written By Daniella Litvak
Nick Charles Stage Door Repertory Theatre
The show starts out a bit slow. There is a lot of exposition, and the delivery of it is a bit clunky. But once setting and characters are set up and the plot moves away from the slice of life storytelling and focuses on the Robinson trial, you can’t resist getting sucked into the drama even if you already know the outcome.
To Kill a Mockingbird is based off of Harper Lee’s critically acclaimed novel. The story is told from the perspective of a little girl nicknamed “Scout”. In the story, Scout reflects back on what it was like to grow up in Maycomb, Alabama in the 1930s. Scout and her brother Jem used to think Maycomb people were the best people in the world. But their view of their hometown starts to change after their father, country lawyer Atticus Finch, is appointed to defend Tom Robinson, an African American man accused of assaulting a white girl.
My favorite performance was from the ten-year old Dilynn Cathey, who nails the part of Scout. Especially during the beginning when the show feels a bit stiff and awkward, she livens it up with her spunky innocence. Eric Davis, Bill Carson, and Kyra Olschewske all turn in strong performances as Tom Robinson, Bob Ewell, and Mayella Ewell respectively.
Of course I can’t discuss To Kill a Mockingbird without discussing Atticus Finch. The role of Atticus has got to be one of the toughest to play. Gregory Peck’s Academy Award winning performance of the character in the film version casts a very long shadow for all other performers in the role. The character himself has had quite an impact on society. When your watching Jeffrey T. Brem deliver Atticus’ closing argument, you forget all your expectations and preconceived notions and just care about what is happening on the stage before you.
I also think it helps that the show embraces the source material. As much as I love it when a show takes risks and attempts innovation, there is merit in performing a faithful adaptation that (for the most part) straightforwardly gives the audience the iconic moments –such as the “sin to kill a mockingbird” spiel or Scout’s shaming the mob speech –it wants to be seen.
The set is great. It’s divided into four areas. The Finch house, the rest of the neighborhood, the Radley house with the tree, and a brick wall representing the outside of the town jail. I love how the Finch house is painted a warm yellow symbolizing the openness and good nature of its inhabitants in contrast to the angrier red and brown tones used for houses of their more hostile neighbors. I also liked how the neighbors’ houses were situated on a platform, which allowed the supporting characters to talk down to Finches and maintain their distance from the Radley’s. The lighting, which goes on and off at exactly the right moments works magnificently.
When I think of To Kill a Mockingbird, I will no longer think of the weeks of agony that came from studying the novel during my freshman English class. Your production is a much better memory.
April 18th – May 2nd 2015
Stage Door Repertory